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It seems that today goes well.

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goodbyes Goodbye, Lt. Drebin

The Lair of the Rat reminds you that way.

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This is England '86: The rat-ignition

have passed tre anni dagli avvenimenti narrati in This is England : Shaun, prese le distanze da Combo e dal movimento neonazista nel quale si era trovato invischiato, si è allontanato anche dal gruppo storico, in procinto di festeggiare le nozze di Woody e Lol. La non-celebrazione del matrimonio, dovuta all’improvviso attacco di panico di Woody e a quello cardiaco di Meggy, è il punto di partenza di questo sequel/spinoff del film di Meadows, che conduce nuovamente lo spettatore nei sobborghi urbani delle Midlands, in una quotidianità fatta di disoccupazione, sottoculture giovanili, amori clandestini e violenze domestiche.

Se in This is England l'obiettivo the director had focused on the figure of Shaun, the four-episode miniseries Meadows allows to rebuild a significant amount of additional material in his possession, to broaden the picture of the dynamics of group and expand the boundaries of his microcosm. The characters who populate thus acquire additional depth, their background is enriched and improved focus on the present.

Thanks to the quality of a cast of far above average acting and a fresh and spontaneous, which uses the technique of 'ad-lib (ad libitum , namely the possibility for the actor to improvise dialogue on canvas set: see for example the comparison between Lol and the father in the fourth episode of the series) to increase the emotional involvement of the viewer, the characters are alive Meadows, three-dimensional, real. The bleak reality that must deal every morning might blunt the sharp corners of their impetuosity of youth, but did not castrate the dreams and hopes, neither has scratched the truest sense of that rebellious spirit that stirs again minds. "I am still in skinhead" slams in a Woody face Lol, guilty of becoming more like a father who has always been a model of social approval and defeat in the eyes of his son.

we will go into their small apartments in the suburbs and it smelled musty, damp smell and canned food, we see the cracks in the walls, bare walls, the objects stored on the floor. Together with the camera linger on the bleak squalor of the exterior, the monotony / monochrome landscape, the quiet stillness, within the walls of gray blocks of concrete, hidden stories of violence, marginalization, social and personal defeat. And then we go down the stairs of apartment buildings crumbling and we follow the protagonists in joyful night raids, improvised at football matches, al pub per assistere all’eliminazione della nazionale inglese a opera della Mano di Dio, ne condividiamo sogni, desideri e frustrazioni. È questo, credo, il pregio più evidente del cinema di Meadows: è sincero, autentico, mai superficiale o scontato.

Divertente e a tratti spensierata nei primi due episodi, la serie cambia marcia e dà il meglio di sé nella seconda parte, quando è lo stesso Meadows a imbracciare la macchina da presa e ad aumentare esponenzialmente la potenza drammatica e disturbante di immagini, sequenze e situazioni. L'inquadratura stringe progressivamente sulla figura di Lol (una splendida Vicky McClure), sempre more central character of the group, on a future that could be next to Woody, but no, and a past that returns to collect what it is with all of the interest rate of wear accumulated over the years. It will be a combo, back in town to go to his mother's dying, close the circle around Lol expiate past sins.

on these pages, therefore, continues my commitment in sponsoring the film from Shane Meadows , of \u200b\u200bwhich I am slowly recovering the scattered pieces (next stop: Somers Town). I can not help but recommend to everyone the vision first the film, not necessary for understanding the events of the miniseries, but certainly useful in providing a background sound. Having done this, look in rapid succession the four episodes that make up This is England '86. Then maybe go back to these four parts that we do talk.

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Did you know that ...

... there is an option within Wikipedia / application called Create a book that, as the name suggests, allows you to create a kind of book files starting from the pages of Wikipedia itself.

option to me up to now unknown, is present in the menu Print / export, located on the left of the page in consultation: click on Create a book you can set and manage our new "digital pantry, which will be enriched with an infinite number of pages. Pages that we can then rename, replace and organize chapters.

Once satisfied with our transaction, we can then export all in pdf or odt (OpenDocument Text) format suitable for possible conversion into ePub: just open the file with OpenOffice, and thanks to this spectacular extension , convertire con un semplice click.

Et voillà, l'ebook è pronto per finire nei nostri reader ed essere consultato in un secondo momento.

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Cannibals, Satan & Co.

Ricordate We Are What We Are ( Somos lo que hay in lingua originale), cannibal movie messicano di cui parlai brevemente tempo fa in questo post ?
Avevo promesso che l'avrei tenuto d'occhio, e così è stato.
Il film di Jorge Michel Grau si appresta a debuttare nelle sale inglesi e, a quanto pare, ha incontrato i favori della critica. Vi ripropongo dunque il trailer ufficiale, dateci un'occhiata.
Da parte mia, stasera I feel strange world: I leave the Tana to go see Devil with Helvetius and other shady characters. And send us a good Satan.

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Where in the World is the Rat?

By now you should have learned to know me, alternating periods of regularly updated blog for others to complete hiding. It works well without precise rules: there are hours, days or even weeks where I did not really want. But after all this is my Tana and here "I do a little 'how the fuck I want" .

This does not mean that he continued to chew on: I read a couple of excellent books, one of which, Carver's Cathedral, has joined the elite of Venerable of my very limited library. Can I say it? Ok, I say: Cathedral is a masterpiece, and shame on you if you've ever read. I'm doing for the second time, slowly savoring each story.

I plan to dedicate a nice juicy article, but this time I do so seriously eh.

Then there 1974 by David Peace, the first chapter of the Red Riding Quartet, and here is so great, but a lot of stuff: that is, lately I have chosen well. Surely will complete the quartet, but not right away, I need to take a breath. Who has had the good fortune to read it knows what I'm talking about.

I've seen the first two episodes of The Walking Dead : very good the first, less inspired the second. All in all a product is above average: I'm going to shoot the entire first series, then we'll see.

the weekend then I stumbled into a strange 1998 film by Takashi Miike: The Bird People in China is his name, and I must thank Simon for Cora the good advice that you also raise , 25 my affectionate readers.

What else? The Neuromancer is always there lurking behind me, and sooner or later I'll have while deciding to devote a few lines of review. Or maybe not, and will always be the Godot of the Tana. Meanwhile, I read wildly, from a collection of short stories (Night Shift King) to another ( Portraits moonlight Jacobi) but it is always Carver attract my attention. I'll ask Santa Claus in Meridian.

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takes home a voodoo doll (siplloni features and at the discretion of the winner) ... Back to

First video:



Second video:



Responses that do not apply:

- One is a film, the other (unfortunately) not.
- Barbary has pitted face.
- Mel Gibson has the longest hair of Gianfranco.
- preferred Cannibal Holocaust.
- Barbareschi non è a cavallo.
- Il pubblico di qui ha le armi, di là no (o sì?).