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The Dark Knight

Caos. Inteso non solo come la caratteristica principale della mente del Joker, vero protagonista della pellicola, ma anche come la continua sovrapposizione di sentimenti provati durante la prima visione del film. Un caos inquietante e affascinante al tempo stesso, che pervade la storia de Il cavaliere oscuro  ma che giustamente si oppone alla precisione stilistica di Christopher Nolan, oramai consacrato nell'Olimpo hollywoodiano come uno dei registi più talentuosi e costanti di oggi. Al suo secondo episodio nel mondo dell'uomo pipistrello, Nolan ha scelto di abbandonare qualsiasi tipo di lungaggine narrativa preferendo girare un film quasi essenziale e frammentario nel suo procedere seguendo gli inarrestabili sviluppi who keep a tight pace for two hours and a half duration of the film. There is no question of "cursed aura" and viral marketing, these are things that have helped to publicize the work for the most part, The Dark Knight, due to the quality of their bill will be from now a cornerstone of genre films and will not disappoint even those who have passion for so-called comic-movies . Nolan, thanks to a script much better than the one written for Batman Begins, was able to bring to the screen character known giving new life to each of them. Prevails on all masterfully interpreted by the late Heath Ledger, Joker is a psychopath and anarchy that has little to do with the "naughty" starring Jack Nicholson 19 years ago and are hard to come out from the memory of the viewer. But not only Joker, Batman is also a new "maturity" and continues sull'accidentato course started in the previous film, also on the test of Christian Bale, who on screen is always up to expectations. Along with him, the District Attorney Harvey Dent, a good Aaron Eckhart, Alfred the butler, the usually excellent Michael Caine, the CEO of Wayne Inc. Lucius Fox, Morgan Freeman, and the cop Jim Gordon, Gary Oldman. An incredible cast in the service of un film riuscitissimo nelle scelte tecniche ed espressive, basti pensare agli effetti speciali visivi e sonori o alle musiche di James Newton Howard e Hans Zimmer.

Per dirla in parole povere, un capolavoro.

Voto: 9 / 10

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Indiana Jones and the Kingdom of the Crystal Skull Iron Man

Parliamone. Io negli ultimi 19 anni della mia vita ho fatto tante cose, alcune positive, altre no. Soprattutto però non ho scritto una sceneggiatura tirando a caso una coppia di dadi personaggio/situazione. Pare che invece David Koepp si sia dilettato in questo modo per scrivere la sceneggiatura di Indiana Jones e il regno del teschio di cristallo e soprattutto pare che sia stato pagato per questo.
Partendo this dilapidated condition, the good old Steven Spielberg does what he can to get by the cabin and save for a corner after all a film that could potentially be a complete fiasco. The problem is that it could (and should!) Be a masterpiece. With the hand of the director, that I continue to worship in a "dawsoniana, then leaving some sequences very successful, like the one quoted everywhere in the jungle of the chase (so beautiful, but a little 'too far from), but in alternate moments decidedly inferior. We want to talk about the FBI's interrogation? We want to talk to arrival in the cemetery? We want to talk about the finale? No, we do not want.
reflect well, however the real problem what is already apparent in the title: the skull. If we make an inevitable comparison, the crystal skull is alll'Arca (or Grail) as Shia La Beouf is Sean Connery. It works, does his duty, but does not have the charm necessary to the situation, it lacks quite the physique du rôle . The same thing applies to the character played by Cate Blanchett, one-dimensional beyond imagination. Fortunately, in the midst of all this there are also some positive aspects, all the interpretation of Harrison Ford, sixty-five, but still perfectly in shape. Yes, because in the end it's all the credit for the success to him and his character, the only true column of the film, a pity that not enough whip and a hat to make a movie.

Rating: 6 / 10