Parliamone. Io negli ultimi 19 anni della mia vita ho fatto tante cose, alcune positive, altre no. Soprattutto però non ho scritto una sceneggiatura tirando a caso una coppia di dadi personaggio/situazione. Pare che invece David Koepp si sia dilettato in questo modo per scrivere la sceneggiatura di Indiana Jones e il regno del teschio di cristallo e soprattutto pare che sia stato pagato per questo. Partendo this dilapidated condition, the good old Steven Spielberg does what he can to get by the cabin and save for a corner after all a film that could potentially be a complete fiasco. The problem is that it could (and should!) Be a masterpiece. With the hand of the director, that I continue to worship in a "dawsoniana, then leaving some sequences very successful, like the one quoted everywhere in the jungle of the chase (so beautiful, but a little 'too far from), but in alternate moments decidedly inferior. We want to talk about the FBI's interrogation? We want to talk to arrival in the cemetery? We want to talk about the finale? No, we do not want.
reflect well, however the real problem what is already apparent in the title: the skull. If we make an inevitable comparison, the crystal skull is alll'Arca (or Grail) as Shia La Beouf is Sean Connery. It works, does his duty, but does not have the charm necessary to the situation, it lacks quite the physique du rôle . The same thing applies to the character played by Cate Blanchett, one-dimensional beyond imagination. Fortunately, in the midst of all this there are also some positive aspects, all the interpretation of Harrison Ford, sixty-five, but still perfectly in shape. Yes, because in the end it's all the credit for the success to him and his character, the only true column of the film, a pity that not enough whip and a hat to make a movie.
Rating: 6 / 10
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